now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

entered buzz charts this week, huge hit expected for this end of a year. after making a name for himself as the hottest young producer on the block (bloc party, maximo park, the rapture to name a few) paul epworth finally releases his own much anticipated solo material as phones. for those familiar with his floor slaying remixes under this alias for artists as varied as new order, goldfrapp, roxy music and black strobe, sharpen the knives and worryin hit the dancefloor hard. sharpen the knives is an agitated, visceral monster that climbs to a breakdown, leaving you begging for mercy, but with a huge grin on your face. >worryin< is a slower affair, still dark and digital and ever so slightly menacing. both tracks are a taste of great things to come from this prolific talent, leading into an album some time in 2007

justin martin is currently recording his debut album for buzzin fly and here is a taster >the fugitive<, a sick underground groove skewered with grunts, grinds and sub bass that finally launches into a gorgeous spring-loaded nu-techno ride. on the flip, more of the same, dastardly.

it was only a matter of time before matt bandy and alexander east joined forces. between the two of them they have graced such labels as vista, aroma, freerange, nrk, doubledown and amenti. the original bumpa along with alexanders vocals leading the way over dirty, distorted funk bass and warm chords. the remixes take you into deep dub land with tuff beats, chopped vocals and tracky madness. alexanders mix takes a left turn towards a psychedelic soul vibe tailor made for the afterhours

it has been over four years since koops last album waltz for koop was released. today the record is still considered their breakthrough record because it sold over 160.000 units worldwide. the critics and fans were raving about the band and even the legendary director woody allen fell for the stockholm based duo and featured their hit single waltz for koop in his film match point. on their new album called koop islands they take us back in time on a enchanting journey into the era of swing orchestras and jazz crooners spiced with some exotic mento, calypso and chanson elements.the first 12 features three nice reworks done by some of swedens finest producers in club sound. markus enochsons transforms i see a different you into one of his trademark deep house tunes while hird puts the vibraphone scented ballad koop island blues into a completly new context by creating a slow rolling dub mix. tiger stripes picks up the pop appeal of the album and delivers a sunny house version of lets elope a perfect radio tune!watch out for a second 12“ coming up on compost records with more fresh remixes by beanfield, alif tree and the innocent sorcerers

christian martin joins the production ranks of dirtybird along-side his well established brother, justin martin. on the a-side, >stoopit< conjures up images of princess jasmine stripping f or lil jon in a lush arabian tent. on the b-side, >venus fly trap< tackles more serious issues, f ollowing the f inal journey of a simple house fly. these two tracks hav e a rare f lav or that will cross ov er into dj sets of all kinds. the martin brothers have taken elements from latin krunk and techno swing to make something fresh and wild

brill phreakin electro tech with midnight mike rmx !!

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

electro flavoured proggy 3 tracker

unique blend of widescreen electronica and fragile folk into darker territories. remixes come from emporer machine who delivers an electro version with house influences. deaf stereo supply the other mix

house music heavy hitters kerri chandler and monique bingham team up to create a gorgeously deep and sexy as all hell stunner. already no1 promo on traxsource.com, the worlds leading soulful house music download site, this soon to be classic has already been tested in the uk, france & japan with incredible response. the song starts out with a dj friendly deep 4/4 beat then gently caresses the listener with a profound bassline, climaxing into clever call and response between mr.chandlers spoken words ala barry white and the sensuous ms. bingham. if you havent found love on the dance floor just wait til this drops and go on the prowl. this is one sexy muthfunkin number

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

the lucky guy ep is galaktika records seventh publication, despite it being labelled as its fourth. testifies to the entry trough the big door of rafael garnica, a young venezuelan settled in barcelona, into the market of european and international electronica. the lucky guy ep, oriented towards minimal techno with a melodic outlook, is an ambitious and careful production that can be enjoyed on the dancefloor as well as the sofa !! incl amazing remix by jaumetic

getting drunk to make music to get drunk to.coming from the twisted mind of spandex and his maniacal cohort dytch is this latest plate, a 12 somehow destined to be a huge pop hit if we do say so ourselves. beginning with the future playground anthem cocks and fannies we re instantly catapulted into the surreal world of pleated lemon

nice deep grooving 3 tracker a1 goes the prog way while the master drum mix goes really into the deep flip for the more funked up original mix

after his release on silver network mr. jackson steps into the more electrified fields of house on jef k s crack and speed imprint. a dirty, rancid straight in your face production - not for the faint hearted, but works like a banana when you re hungry. a side is a sureshot reminding on suburban knight s art of stalking

big vocal stomper with a strong female vocal funky bass and keys includes a mac devila ( cassagrande ) remix

the brainsuckers are back again, with a very atypical vinyl. the big feat original mix is a rumbling bigbeat techno track. to supply you with varied sonorities, it has been remixed by paul mac, who for a year now has signed great releases on prestigious labels such as intec, sino, kanzleramt and more. here again he brings a detroit inspired track which will entice many ones into shaking their bums! another musical flavour is brought to you by dj x.d.s who boosts the groovy characteristics of the track and provides more power, propelling the track in the domain of german techno sonorities.. supported by cari lekebusch

dark disco place goes into the dark minimal territory while henry goes to the circus runs along a similar vibe only much more upbeat

hoster of the global scum radio show with a fantastic release which already find the way into the cases of sander kleinenberg, oliver moldan, martin eyerer, guy gerber

the incredible ibiza mega club hit of 2005 and 2006 returns with two brand new remixes from no one else than martin eyerer and paul woolford! martin eyerer shows us a completely new shade of the track as he puts the distinctive vocals into a driving and very reduced but still kicking drum pattern. definitely something for never ending dc 10 nights. however paul woolford demonstrates that the trentemøller remix of 2004 is not the only version for peaktime action. >wooly< is succeed in giving the track a stark new and fresh kick..

mr. unstoppable goes from strength to strength. brilliant production skills and massive basslines with smooth vocals of yota make this to a special track.. the remixes come from zoo brazil, who transport the electro house madness into a more classic techhosue structure, and electro worrior robby rivera. he deliver a truly tripped out acid groover..

after last month s superb ep from burnski, up steps label boss simon baker. it sounds like a lost acid-era classic, as cheeky fxs pan back and forth as the track builds into a rolling mass. ivan smagghe, ralph lawson, funk d void, paul woolford, dj hell….

adaptor from athens is a pushing the electronic sound of greece into our dancefloor and with good effect ! minimal groovy production but oozing with soul from the south. remixes courtesy of fellow greek leon segka (crosstown rebels/ntrop) and our very own fave dave dk

>through the door< is a classic chacona production - atmospheric space funk, combining more synths than a jean michel jarre stage show, solid disco beats and eyes firmly on the dancefloor. imagine lindstrom on disco biscuits and you get the idea. >the next< wears its italo influences on its sleeve, and will appeal to fans of francisco, morgan geist and chicken lips. the disco synths return (he loves his synths!) and ride over shuffling percussion, a rubbery bass and build into an epic piece of 21st. century disco

the first new music from canadian electronic pop duo junior boys since their much-acclaimed >last exit< long player. >suggest talk talk produced by timbaland… junior boys spectral vision of electronic pop is an understated, unpredictable delight ****< said the guardian of >last exit<. without a domestic release this album in 2004 crept into most journalists end of year polls. this is the first junior boys release to be released on domino worldwide and initial reactions have been fantastic. it seems that word of mouth has been spreading like wildfire on this band. >in the morning< and >the equalizer< are both taken from the forthcoming album >so this is goodbye<. they are backed with remixes for the coolest dancefloors from nyc s morgan geist and glasgow s alex smoke. the band play their uk debut at london s luminaire on august 10th and then return as very special guests of hot chip in the autumn for a full uk tour.

deep progressive house with some trance elements combined with some ethnical chants by nastya sorokina turns the track into an essential one flip for a remix by italian producers presslaboys not to be missed

shooting stars john dahlback and dk7s mark o sullivan strike 2 killer blows as they launch their new label jm recordings. i saw your eyes is a mid set acid triggered tech stomper,driven by a sinister vocal hook, a pure celebration of those of us who have flown too close to the sun. while when you caught the sun clears the air with its lush crisp synth sounds and driving bass. the gravity pull of this stunning release will drag you into its orbit which is of course the centre of the dancefloor

kraze aka. richard jean laurent began songwriting and performing in 1985. in 1988 he created >i say shut up< and >the party<, who became a house music classics even before that term existed! these songs catapulted kraze into one of house music s first bonafide stars, making him performing at venues ranging from the best clubs to wembley arena and the prince of tunesia s home. he reached top 10 all over the world, but especially >the party< is still used from george clinton to david bowie to political campaigns to radio themes to coney islands.

side a tech funk bass fuelled fresh as fresh can be sound. skanky bassline, ska style stabs and techno pads and tripped out synths send ya head way ward.side b takes on the same direction as the a side but comes in with a dreamy old skool vibe vocal to get the ladies excited, it seems to feel a lot faster than it actually is, energy flowing from each kick and snare. dont get the wrong idea when i say this track turns into a floater, were talkin hands in the air smiley dreamy touchy feely break beat! nice!

kontra-musik continues its journey to musical salvation with another agaric release. producer agaric alias patrik skoog is a techno veteran who released his first tracks already back in 98. during the years he has grown into a mature and skilled producer, which has brought him up to his most recent alias. under the pseudonym agaric and the launch of his most recent label, we are, patrik has reached new heights. with his own interpretation of minimalism, agaric is the choice of the moment, generating amounts of positive response and support from world renowned djs like richie hawtin, villalobos and michael mayer

special nice price action...
>fascination< incorporates synthetic rave lines, driving drums and super effective arrangements. >in the sound< works with a very simple bassclick which develops into pure dancefloor dynamite with acidish toppings and mean vocals..

wer sucht noch eine schöne vocalhousescheibe für den sommer plus fetten dubi und electro mix? hier ist eine!!!!!!

nice price deal !!! 10kilo once again enlists the talents of aussie breakbeat rocker smithmonger. here he delivers an intense bass fuelled outing that effortlessly slips into 4/4 groove and back again. atomic hooligan is on remix duty on the flip and delivers a typically assured big room version.

kevin rocks is a very taleneted young producer and dj from düsseldorf /germany. his previous production on fullscale already gained support from a range of quiet diverse djs like martin eyerer, oliver moldan, dave mothersole and so on.... kevin rocks produced this tune in cooperation with klaus schneider, who also did a smashing dark, dubby and dirty electro house mix. a mix that will find his way into cases of timo maas, scanners for sure...

two great minimal funk groovers that keep straight into the head and keep the masses dancing with a hypnotic beat and deep basslines !!

the jinks productions always feature live instrumentation and this third single is no different featuring tom ashe on synths rhodes and piano remo penstripe on bass and eddy freeman on tambourine supplied with the injection of stormin norman andersons vocals jamie lewis makes it into a sure fire winner

incl ian carey and narotic thrust mixes

summerheadz working from the bottom of my heart into a funky house track that is spreading an uplifting and sunny feeling through the bumpin groove the flipside features helicopters from the tarantualaz which is basically the backing track from the stevie wonder reworking enriched with spacey keys

incl club 69 remix

kickflip started to get into hardcore dance music back in 1992 when the raving revolution was in full swing, he started to produce music on his atari st in 1993 and hasn t looked back since! thank goodness he didn t stop or we would never have heard these little beauties! prepare yourself for much monkey business! kickflip makes his fat! debut with a pair of gorilla tracks, the a-side being the meaty king conga! big with: meat katie, friendly, the drumattic twins

classics part one !!! the advent brought thirteen releases into existence through kombination research !!!

following january s sampler 12inch, headspace releases we are the ones we ve been waiting for, a 12-track album of the finest modern techno music. from powerful floor-burners to mellow, laid-back grooves, this is an album at home on the headphones as pumping through a big system. deeply rooted but never backward-looking, dan s sound is as relevant today as it has ever been - and it displays a confidence and maturity few contemporary techno producers can match

ehre wem ehre gebührt ! rerelease dieser knackig zeitlosen 12inch vom schweriner gerberei dj. emotional und zwingend zugleich, besonders zu beachten : der b 2 track > skyscraper< für alle basic channel / maurizio / dub techno fans. für die besonderen momente der party !!!

the sentinel invites you further into his dark and menacing psyche. the deepness and electrotronic funk is bounceing right out of your speakers infectious percussion, dark, funk filled sounds playing on your paranoia. one of the killer tracks on this records is wrong time which gets straight into some electro funk bass with warm eery synths and mysterious lyrics and a deep space musical atmosphere. you might very well get lost in this one. get down and get real low and engross yourself in the thick funk and idiosyncratic german vocal from down under. great release on this cool label..

on la manie oliver koletzki released originally the track mÜckenschwarm. after oliver koletzki left la manie because of his own career, michael sehte get into the project and brought his anarchistic character in the new tracks. and here they are, the new tracks. >drecksbeat< sounds like it s called. dirty, nasty, horrible. the consequential continuation of >mückenschwarm<. it will be transform the dancefloor into a pillow fight and jawing match at the same time. the b-side track >the cocka hola company< is affected by the homonymous wonderful book of michael forsakken. the gloomy matrix retrieves memories of old ebm-days. it is sallied by a an elegiac melody. its for the dj who will not shrink from kitsch. see you at the floor. the weasel-quick children from downtown are back!

the quest is an amount of styles literally jammed into the main mix take a heavy dose of house hip hop soul and afro and mix it up with hectic tribal rhythms jumpy beats and a touch of ragga and you are only halfway there flip for an excursion into deep latin jazz territory

there could be no better start into 2006 than a brand new steve bug single. with >smackman< on the a-side poker flat label boss steve bug delivers another hip shaking track handwritten in his unmistakeable but fresh style. >i-thought< on the -side starts with a clever beat-construction and a great bassline before some smart sound-gimmicks lead over to the first break. still minimal, but with an incredible groove and great melodies both tracks are sure to leave lots of nice damage on the dancefloor